There are new reminders that our heroes, while brave and outspoken, are still ultimately teenagers dealing with quite a bit of physical and emotional pain when they’re not performing mind heists. The most powerful aspect of Royal is its propensity for self-reflection. It isn’t hyperbole to say that that’s about as joyous and cathartic a concept for a game as we’re going to get in 2020, especially given the gaming industry’s worsening allergy to political stances in high-profile titles such as this one. And their goal is to literally tear down the palaces of conglomerate evil and greed that the story’s social monsters have built for themselves in their minds. It’s up to the protagonist, Joker, and his band of merry high school outcasts to fight the good fight from the inside, magically whisking themselves into the collective unconscious by disguising themselves as badass, leather-clad avengers called the Phantom Thieves. This is a game about the abuse of power, where every major villain represents a facet of society that’s turned poisonous, from art plagiarists to abusive educators to corrupt law enforcement. What is surprising is just how much Persona 5 Royal seems to lean into that fact, speaking in specific and effective ways to the sheer exhaustion of living in perpetual strife, even while delivering the catharsis of standing together against turmoil, even surviving it. Given everything that’s happened in the world since the release of Persona 5 in 2017, it’s not exactly a surprise that the game comes across a lot differently today.